Sweat Equity

The Science Behind Viral Content That Can Blow Up Any Brand

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Start with the signal

8 min read

Summary

At-a-Glance

  • Verdict: Skim
  • Core thesis: Viral brand content is primarily an attention-engineering problem: win the first second with a pattern interrupt, make a specific promise, and preserve watch time by stacking unresolved mini-stories until payoff.
  • Why it matters: The video provides a reusable short-form scripting framework for founder, UGC, and brand content, especially for improving hooks and the 15-to-45-second retention drop-off.
  • Best use: Use it as a creative-brief and script-review checklist rather than as a rigorous scientific account of platform algorithms or consumer psychology.

Executive Summary

The speakers argue that follower count is less decisive than a video's ability to interrupt scrolling and retain attention. Their model starts with the premise that viewers scan feeds in a low-engagement state and only pause for perceived threats or opportunities. They translate that into three hook triggers: pattern interruption, curiosity gaps, and loss aversion.

Their central mechanism is the "open loop": introduce an incomplete pattern or promised outcome, then delay the answer while offering enough progress and credibility that viewers expect a payoff. They emphasize that retention does not come from one large unanswered question at the start; it comes from repeatedly opening and closing smaller loops throughout the video, especially in the vulnerable 15-to-45-second segment.

The tactical material is strongest in its script structure. The proposed sequence is a hook in seconds 1-3, a clear gap and stakes in seconds 4-7, and proof of novelty, quality, credibility, and engagement in seconds 8-15 to remove likely reasons viewers leave. The rest of the script should use causal turns such as "but" and "therefore," rather than a chronological "and then" sequence, to create escalating tension.

The video also makes specificity its main credibility principle: precise outcomes, time frames, operational details, and concrete stakes make a claim feel more believable than generic advice. Its examples are useful creative patterns, but the neuroscience language and claims about what algorithms "only" care about are asserted rather than substantiated with platform data or experimental evidence.

Key Takeaways

  • Claim: A short-form video must interrupt low-engagement scrolling almost immediately through a pattern break, a curiosity gap, or perceived loss avoidance. | Evidence: The speakers say viewers have roughly one second to stop scanning and frame the three triggers as: unexpected visual or verbal contrast, missing information the viewer wants, and fear of missing a useful insight. They cite striking color contrast and deadpan creator Joshua Neal's red, saturated presentation as pattern-interrupt examples. | Implication: Evaluate opening frames before publishing: the visual, headline, and first spoken line should create an immediate break from expected feed content rather than merely introduce the topic. | Caveat: The one-second threshold and underlying psychological explanation are presented as general rules, not supported by platform-specific retention data in the transcript.
  • Claim: Retention is built through multiple mini open loops, not a single hook that waits until the end for its answer. | Evidence: The video defines open loops as incomplete patterns and offers five forms: mystery (show outcome, hide method), tension (contradict a belief), incomplete story (establish unusual stakes), countdown (withhold the final item), and transformation (show change after rejecting conventional behavior). A Bad Ombres example introduces a factory failure against an imminent product-drop deadline. | Implication: Design each segment to answer one question while introducing the next; script reviews should identify the sequence of unresolved questions, not just assess whether the opening hook is strong. | Caveat: The countdown/listicle structure is described as oversaturated; the speakers say it now requires sharper audience and problem specificity.
  • Claim: The critical short-form script sequence is hook, stakes, exit-reason removal, then escalating causal tension. | Evidence: Their proposed timing is seconds 1-3 for the hook; 4-7 to establish why the viewer should care and what they lose by leaving; and 8-15 to signal novelty, quality, credibility, and engagement. They call 15-45 seconds the "valley of death" and recommend continuing open loops there. | Implication: Build a repeatable script template with an explicit 8-15-second proof block, rather than spending all creative energy on the opening line. | Caveat: The speakers characterize watch time above 15 seconds as a "banger," but do not distinguish by platform, video length, audience, or format.
  • Claim: Specificity is both a hook device and a credibility signal; vague claims make audiences infer that the speaker lacks real experience. | Evidence: The contrast offered is between "I'll show you my exact caption structure" and "the exact caption structure that took my posts from 2% to 11% engagement in the last 30 days." Other examples include Ralph Lauren receiving 40 million views in a month and a collection selling $400,000 of trousers in 13 minutes. | Implication: Require creators to anchor claims in a number, time frame, named operating constraint, target segment, or observed experiment whenever supportable. | Caveat: Specific metrics increase persuasive force only if they are accurate, contextualized, and relevant; the video does not address verification or the risk of using selectively framed outcomes.
  • Claim: Scripts should progress through conflict and causality rather than linear chronology. | Evidence: The speakers advocate a "but-therefore" framework: for example, a brand switched factories, but the replacement could not deliver until December, therefore an April collection faced a new constraint. They contrast this with repetitive "and then" narration. | Implication: For operational stories, turn milestones into obstacles, decisions, and consequences; this creates natural re-hooks without needing artificial cliffhangers.
  • Claim: On-screen text should classify the video's promise instantly, especially because many viewers begin with sound off. | Evidence: The recommended overlay types are contradiction text ("I stopped going to the gym and got in the best shape of my life"), outcome text with a precise result or unfamiliar keyword, and incomplete text such as "The one thing that..." The speakers compare the overlay's role to a movie title card. | Implication: Treat the first text overlay as a primary packaging asset and test it separately from the spoken hook, using contrast, outcome specificity, or incompleteness. | Caveat: They acknowledge some high-production skits may not require a headline, though they still favor typography and visual treatment that establishes the story world.
  • Claim: Credibility can be established efficiently by showing active proximity to the problem rather than making broad expertise claims. | Evidence: The suggested phrasing is "what I've been seeing work lately" or "what I've been testing" rather than asserting generic authority. The speakers argue this implies current operational access and social proof; they also recommend concrete backstory before payoff, such as a $15 million brand confronting poor ad efficiency and cash pressure. | Implication: Favor first-hand observation, current experiments, and verifiable operating context in founder-led content, while avoiding inflated authority signals. | Caveat: Implied expertise should not substitute for disclosure where a claim depends on limited, biased, or non-generalizable testing.

Detailed Brief

Hook and language patterns to adapt

  • Claims: Contradiction works because audiences assess information relative to familiar alternatives: "Most people do X, but here is what actually works."; Identity-based hooks make a viewer feel recognized before pitching a solution: "If you're the kind of person who starts things but never finishes..."; Recall-based hooks use the availability heuristic by surfacing a familiar frustration, such as posting something believed to be good and receiving no engagement.
  • Evidence: For a mushroom-gummy client, the suggested setup targeted people who start chores but do not finish them, then connected that experience to a focus product.; For Ralph Lauren, the proposed hook challenges the belief that "boomer brands" cannot make effective content, then uses the claimed 40 million views as the counterexample.; The video references Lucas Pactor as a creator who uses terse, incomplete headline text to pull viewers into the spoken explanation.
  • Caveats: The examples often rely on strong contradiction, health-adjacent product claims, or fear of missing out; brands should ensure claims are compliant and do not overpromise.; The transcript repeats substantial sections and contains conversational filler, so it is less efficient than its framework suggests.
  • Implications: Create a hook library organized by mechanism—contradiction, identity, recalled pain, outcome, and incomplete thought—then match each mechanism to the audience's actual problem awareness.; Avoid generic "three tips" packaging unless a narrow persona, business context, or measurable consequence makes the list feel newly relevant.

What the video does and does not establish about virality

  • Claims: The speakers treat hook rate and watch time as the principal algorithmic inputs, with shares positioned as a natural result of good content.; They describe the competitive environment as increasingly difficult because audiences are exposed to AI-generated content, UGC, misinformation, and continuous second-screen behavior.
  • Evidence: They cite an attributed Ben Affleck discussion of Netflix opening stories with immediate conflict or spectacle to account for viewers checking phones while watching.; They describe working with nine-figure brands, but do not provide named case studies, controlled tests, retention charts, or platform benchmark data.
  • Caveats: The title's claim of "science" is stronger than the evidence delivered: most material is practitioner heuristics and illustrative examples, not a demonstrated scientific synthesis.; Performance is also shaped by audience fit, distribution, novelty, creative production, platform-specific behavior, and conversion quality—factors the discussion largely omits.
  • Implications: Use these ideas as testable creative hypotheses, not universal causal laws.; Pair retention-oriented content testing with downstream measures such as qualified engagement, profile actions, lead quality, revenue, and brand trust.

Notable Concepts & Terms

  • Pattern interrupt: An unexpected visual, color treatment, statement, or delivery style intended to break feed-scanning behavior.
  • Curiosity gap: The gap between what a viewer knows and the missing information they want, used to motivate continued viewing.
  • Open loop: An intentionally incomplete idea, story, or promised outcome that creates pressure to keep watching until resolution.
  • Mystery loop: A loop that reveals an outcome while concealing the method, such as rapid audience growth attributed to an undisclosed strategy.
  • Promise-payoff contract: The speaker's model that a hook promises value, then content must sustain belief that a credible payoff is forthcoming.
  • Valley of death: The 15-to-45-second retention-risk period where viewers commonly leave and where the speakers recommend stacking new loops.
  • But-therefore framework: A narrative structure that uses obstacles and consequences rather than chronological "and then" sequencing to preserve tension.
  • Social proof through implication: Language such as "what I've been seeing work lately" that implies active testing and operational proximity without explicit authority claims.

Operator Notes / Why Ken Should Care

  • Create a pre-production scorecard requiring: a first-frame pattern interrupt, a one-sentence promise, a specific stake, an 8-15-second credibility signal, and at least two subsequent mini-loop transitions.
  • Instrument creative tests separately for 1-3-second hold, 8-15-second retention, 15-45-second retention, completion, shares, profile actions, and conversion; do not optimize only for views or average watch time.
  • Build a reusable internal hook database using actual company outcomes, constraints, customer tensions, failed assumptions, and experiments rather than generic creator templates.
  • Set claim-review rules for quantified outcomes, health or performance claims, and implied expertise so credibility tactics do not create compliance or trust risk.
  • Skim rather than watch linearly: the transcript contains duplicated material and extended banter, while the useful content is concentrated in the five-loop framework, timing structure, text-overlay guidance, and but-therefore scripting method.

Source/Metadata

  • Title: The Science Behind Viral Content That Can Blow Up Any Brand
  • Transcript words: 8431
  • Duration seconds: 1697
  • Timestamp note: No timestamps or chapters were provided; the transcript also contains substantial duplicated passages.
Full transcript 5329 words · 37 min read
0:00

Getting eyeballs on your brand has never been easier or harder at the same time. The market is completely saturated with AI, UGC, fake news, all sorts of different things, and it's never been more important to nail every single video as best as you can. Why is that? Because the content algorithm is a lottery system. It doesn't matter if you have 500,000 followers or 500. You can get millions of eyeballs on your content, on your brand.

0:18

Well, there's only two things that matter when you're doing that. Number one is the hook, and number two is the retention rate. We're going to get into those things, but first, I want to talk about your color coordination because it's not Christmas anymore. You can't be complimenting it an hour before we record and then clown it the second the camera comes on. I didn't say you didn't look good. No, that's foul treatment. I just want to talk about your color coordination. It is Christmas, or it's not Christmas anymore. Walk us through the thought process.

0:30

Actually, when you look at a lot of travel videographers, and they shoot anything in the forest, the forest obviously being green, they always wear red jackets because it pops like crazy. And so anytime... Not to not get shot? Not to not get shot. That gave me Dick Cheney vibes for a second. No, no. Because when you said that, I was like, I'm not trying to get popped. If you look at old photos of me when I would go to Oregon with Vanessa, I was always in a red jacket, and it always popped. Boy, you were also... I know what you were doing. You were mewing in every single photo. It was different. I was in a light-skinned face. I feel like you had colored contacts in. No.

1:07

Pause. But they were glistening. Because I would just change the shadows on my face, and I have light eyes. Oh, so that was post-prop. Well, I have light eyes. You can't deny that I have light eyes. But no one's seen them in 10 episodes, so I don't even know what your eyes look like anymore. That's fair. That's fair. So, when you reduce... If I shoot something, then I have hard shadows. If you just reduce the shadows, it's going to show your eye color. Yeah, yeah.

1:27

That's it. Well, the reason that I ask is because I think that the colors that you have right here provide great inspiration for what is called a pattern interrupt. When someone sees you on the screen, your colors are contrast. They're striking. They seem like they go together. And they're, at its most core level, attention-grabbing, right? And so, this is the psychology of attention. You need to hook someone with a scroll-stopping visual.

1:30

Now, every single video has to have these elements present. They have to have some sort of visual stimulation. They have to have some sort of audio sensory stimulation, right? We need to be able to capture people's attention with things that brain psychology values. And so, your brain is a prediction machine, right? It's always running simulations about what happens next, and it only stops for two things. That's threats and opportunities.

1:31

So, a threat could be a lot of things. It could be a threat to your preconceived notions about something. It could be a threat to your personal confidence in something. You think about all this. Why does bad news travel, right? It's because it's a threat to you. You're worried that the market is going to crash because of this headline. You're worried that you're going to lose your job because of AI. All of these things are threats or opportunities. They could be opportunities to learn something, opportunities to be entertained, all sorts of different things, right?

1:33

And so, when someone scrolls, you got to think that they're in low-engagement scanning mode. You have about one second to interrupt that scan. Just one second. And three things trigger that interruption. So, number one is a pattern interruption. That's when something violates what they expected to see. So, again, if I'm just scrolling back and forth, I'm probably just expecting a cat video or whatever. This is why we talk about, what's the guy who sits cross-legged and is like, five ways to get over your ex? Joshua Neal, maybe? Joshua Neal. Something Neal.

1:41

I think his deadpan delivery, his overall color saturation, is a really good example of this, where you're scrolling and scrolling, and then you're like, ooh, red, and this guy's scolding me.

1:46

And so, it's a pattern interruption. The second thing that needs to be present to trigger an interruption when someone is in scanning mode is a curiosity gap. So, this is a gap between what they know and what they want to know. The gap creates discomfort in the brain. If there's something at the end of this video that I want to know, I'm probably going to stop my scrolling and watch and pay attention. Then the last thing is loss aversion. So, people are twice as likely to avoid missing something than to gain something new.

1:50

And so, all of this boils down, the pattern interruption, the curiosity gap, the loss aversion. It boils into this concept of what's called open loops. So, open loops are incomplete patterns, right? You introduce an idea, and from the open loop, you're eventually going to want to close the loop. And the open loop can be different lengths. A lot of people assume one video is an open loop. That's actually not the case. There can be several mini open loops throughout a piece of content. And I think that's probably the most commonly misunderstood thing.

1:53

I want to just pause real quick and talk about how this applies to basically every short-form or long-form video, these psychological principles of attention, hooks, retention, stuff like that. Because it's not just talking heads. It's not just UGC. It's not just a skit, right? Every single thing is going to have these different principles.

1:56

And so, you almost want to layer them as components. You want to layer. It's like, okay, I've got my hook. I've got an open loop here. I've got another open loop here. I'm going to close that loop and then start a new one. And that could be for a three reasons why UGC video. That could be for a TikTok Shop curiosity on gatekeeping video. That could be for a conspiracy video. That could be for just a skit. Ralph Lauren does this really well with their stuff. They'll be like, the rugby sweater was pioneered in 1899 and worn by the U.S. team in their match against Ireland. And you're like, holy shit. Yeah. What happened in the match, right? That's an open loop.

2:07

So, there are really five types of loop that you can use. So, the first one is the mystery loop. So, this is where you're going to show the outcome and hide the method. So, an example of this would be, I went from zero to 100K followers in three months using a strategy I've never seen anyone talk about. Right? Jenny Hose does that a lot where she, voice, foreshadows. Jenny Hose. Yeah, Jenny Hose, baby. Sorry, Jenny. Sorry. Where she foreshadows and creates this mystery around the final product and then goes into the story. Right. So, the mystery loop is one. That's show the outcome, hide the method.

2:34

So, I personally, if you watch any of my content on Instagram, I use this one all of the time. I say this person achieved this outrageous method, or this person achieved this outrageous income in this very short timeframe using this strategy. It's a proven way to get people to want to stay for longer because they want to see what that person did to potentially do it themselves.

2:40

Number two is the tension loop. So, again, we're back to the threats and opportunities. If you're talking about the mystery loop in the context of what we just said, that's going to be an opportunity-based loop. There is the threat of loss aversion if I don't watch this video, that I'm not going to get the concept that was discussed. But I think the mystery loop is often opportunity-based, where people are saying, oh, I can learn something here that I can use practically.

2:41

The tension loop is a threat. So, this is where you're going to create contradiction, right? Everything you've been told about morning routines is actively sabotaging your productivity. You want to crash someone's existing beliefs. Contradiction is so key in all of these different ways of getting attention on what that person did to potentially do it themselves. Number two is the tension loop. So, again, we're back to the threats and opportunities. If you're talking about the mystery loop in the context of what we just said, that's going to be an opportunity-based loop.

2:53

There is the threat of loss aversion if I don't watch this video, that I'm not going to get the concept that was discussed. But I think the mystery loop is often opportunity-based, where people are saying, oh, I can learn something here that I can use practically. The tension loop is a threat. So, this is where you're going to create contradiction, right? Everything you've been told about morning routines is actively sabotaging your productivity. You want to crash someone's existing beliefs. Contradiction is so key in all of these different ways of getting attention on social media because people have their established thoughts, and you're saying what you think is wrong.

3:15

And that is super powerful. I've found a lot of success with a hook format in this exact way as well, which is I have a Ralph Lauren video where I'm talking about their content strategy, and I say everyone assumes boomer brands can't make good content, but Ralph Lauren just got 40 million views last month. Yeah. Here's their strategy. It's a commonly held belief and assumption that you probably have, to be honest with you. That's a pretty agreeable statement. I think almost 80 to 90% of people would say a boomer brand can't make good content. Super recognizable name, Ralph Lauren does it well. They're going to stick around to see what else I talk about.

3:39

So, there's also, and this one is going to be really powerful if you're one of those people who's like, oh, I'm a founder. I don't know what content to make. I don't even know where to start. This is the incomplete story. So, last week I got a message from someone at Google, and what they told me changed everything. Right? Or two weeks ago, I quit my corporate job to start a yogurt company. Here's everything that's happened since. You're going to be a little bit. Yeah. It's this method where you're going to say, here's the stakes. Here's the context. The rest of this video is going to be about that. Bonus points for the more absurd and specific you can get. Right?

4:25

Two weeks ago, I quit my corporate job. One week ago, my flight to Amsterdam got canceled. So, this week I'm locked in building my new company. I don't know. There's different ways to introduce specificity there. So, something we've been working on over here at Sweat Equity HQ is the contract. Now, when you're investing in VC or startups, there's this thing called a safe agreement. It's basically a simple promise for future equity. Now, look, we've been giving this podcast away for free for years, and we intend to do that forever. We're not going to gatekeep anything. We're going to share exactly what we're learning, working with large enterprise brands every day. Okay.

5:06

In return, we ask for one thing. Please just like and subscribe. It does help us say to eventual sponsors, look at how many followers we have. Here's our baseline of views we're going to get. Stuff like that. And it also tells people, oh, this is a credible channel. I'm going to click into this video. So, I say that because it takes a second. One second. But if you do it, it's going to help us grow this thing, and we're going to try and triple down on value, guests, more in-person events, more community-oriented stuff, more resources for you this year. So, every time you do those things, every time you follow the contract, helps us just a little bit more. All right.

5:41

Let's get back to the episode. So, after the incomplete story loop, you have the countdown loop. So, this one is super simple, listicle style. We've all been there before. These are three things to show your content. And the third one is something that almost everyone does. Quick note on this one. It's so oversaturated at this point that this is probably the most difficult to execute now. And how do you get your way around that? It's specificity. It's calling out more of the target demographic. These are the three things destroying your restaurant business's OpenTable bookings. Right?

6:13

Get majorly specific with that problem-solution because, ultimately, generic fluff advice just hasn't worked on social media since 2022. We talk about this every day in Cut30, where it's like, write your hook, then add one layer that makes it specific. That's the easiest way to do it. Yeah. This is what you need for content marketers. Not good enough. This is what you need for content marketers if you're building a running brand. Yeah. Ten times better. Yeah. Content is the targeting. Yeah. And you got to trust that that audience is on the other end of it. A lot of people overly get specific.

6:39

So, you don't want to compromise how many people you could potentially reach with the video. But I do think that's one way to mitigate against it. And then the last one is the transformation loop. This is what happened to my skin after I stopped doing what every dermatologist recommends. Again, challenge that conventional belief with something like your stakes. So, this is what happened after I stopped doing that conventional thing. So, this is what happened to my brand after I turned off all Meta ads. Right? Whoa. Yeah. I'm interested. You're interested.

7:14

This is what happened to my brand after I seeded 2,500 TikTok Shop creators and didn't ask for a single thing in return. What is the transformation loop? And I think what was key that you said earlier is you could introduce these into your videos. Bad Ombres does a good job of this where they'll say, we did this amazing thing, but then this happened. Right? And now you add that mystery loop again, where it's like, oh, shit, now I'm hooked. You re-hooked me. They're almost like mini hooks added into your video. Totally. And the reason that all of this works is the promise-payoff contract. Right?

7:46

So, you are making a promise of value to someone, which is going to inherently stimulate the dopamine in their brain. Again, this is all brain psychology-backed stuff. This is definitely Meta knows what they're doing in terms of manipulating the brain. They might as well be a neuroscience company at this point. And this is all something that is backed by science. If you are going to make a promise to somebody, they're immediately like, oh, okay. Tell me more. And then what you're supposed to do from there with retention is to delay that promise by introducing credibility. And so, what does that look like? That looks like several different things.

8:19

If you're promising transformation, then what you want to do is you want to promise that transformation. That's in your hook. I promise you that you will achieve this outcome long-term if you watch this video. By delaying the credibility and gamifying that retention piece, that is going to be you introducing credibility through story time. So, you're going to say, this is what happened after I turned off all Meta ads for my brand. Last year, we did $15 million in sales, but it wasn't that efficient. We spent too much money on ads and ultimately looked at our cash position in December, and we were not looking great. It's like, whoa, okay. This person's a real operator.

8:44

There's some storytelling. I have stakes in this. I'm actually interested. Maybe that will resonate with the right people that you're trying to reach. Let's just talk about if this is a physical product, like an apparel brand. And it's like last year, our manufacturer said that they no longer could service us, and we had a new drop due in six weeks. That's literally what Bad Ombres did with one of their videos. It was like the manufacturer dropped an XYZ thing. So, we had this timeframe to do this now. Right, right, right. And then what you're doing by delaying the payoff is basically just building credibility through that storytelling element.

9:11

But even, there's been so many different TikTok Shop videos that work here as well. This girl is like, yo, I didn't believe the rumors when they said this stuff was Korean Botox, but I've been trying it for the last three weeks, and here we are. And you're going to be like, Korean Botox? What the hell is that? And then her credibility is then built through, I'm someone who's tried every single skincare product on the market. I tried Metacube. That's literally what Bad Ombres did with one of their videos. It was the manufacturer dropped an XYZ thing. So, we had this timeframe to do this now. Right, right, right.

9:42

And then what you're doing by delaying the payoff is just building credibility through that storytelling element where it's like. But even, there's been so many different TikTok Shop videos that work here as well. This girl is like, "Yo, I didn't believe the rumors when they said this stuff was Korean Botox, but I've been trying it for the last three weeks, and here we are." And you're going to be like, "Korean Botox? What the hell is that?" And then her credibility is then built through, "I'm someone who's tried every single skincare product on the market. I tried Metacube. I tried Jeffree Star, all these different TikTok-worthy brands."

9:53

And then she's going to continue to delay that payoff, but giving you those little breadcrumbs, right? It's always like you have to make sure that they know that the payoff is coming. And again, the massive key here, and this is probably the most alpha I could give anybody on storytelling and content in 2026, because truly I believe this is the last thing that AI cannot do, is specificity. Yeah. Because that's the last human touch left in your content. It's not just saying, "I'm going to show you my exact caption structure." It's, "I'm going to show you the exact caption structure that took my posts from 2% to 11% engagement in the last 30 days."

10:06

That's a sharp, specific gap. Specificity signals credibility. And when someone is vague, the brain immediately suspects that they don't have a lot more to share. Yeah. You can see. The more specific you are, the more you put yourself on a pedestal. Right. To position you as, "Hey, I know what I'm talking about. And I know this because the specificity, I can, why did I just say that so off?" It's a tough word. It's a weird word. It's a tongue twister. It makes you say, "Hey, I have experience in this exact world." Yeah. Yeah. A hundred percent.

10:45

And then, so now that we've established some of these psychological things, let's get tactical, because I think you would probably agree with this. Script writing is something that a lot of people do very wrong. Yeah. They just jumble a script. Maybe write a paragraph or something like that. I actually write it line by line by line. Same. I do too. And then I make sure that the stanza, bet you didn't think I was a poet. That's a different word for you. Yeah. Nice. I bet you didn't think I had poet game. Did not. Poet motion. The stanza should have a rhythm to it. So it should be short, long, short, long, transition words, et cetera.

11:24

And I think when you're looking at your script and you're looking at the video, and this applies whether you're a UGC creator or founder-led content, whatever it is, this is just all short-form content. So what you're looking at is you want to segment things out by seconds. One through three, that's your hook. Seconds four through seven, are you going to establish the gap and the stake, right? So that's why should they care? What will they miss if they leave? That's four through seven. Then in seconds eight through 15, you want to eliminate those exit reasons. So everyone is in low-engagement scanning mode. "Oh, interesting video."

11:54

They're swiping, and then it's like, "Interesting video." And so the most common ones are going to be like, "I probably already know this. This seems low quality. I don't trust this person. This will probably be boring." And so during that eight- to 15-second mark of your video, you want to eliminate exit reasons by signaling novelty, quality, credibility, and engagement. After that is the valley of death, right? This is where all videos go to die. Average watch time that gets above 15 seconds is a banger, right? And that's going to be true of almost any sort of piece of content.

12:07

So the drop-off between 15 and 45 seconds, I mean, I don't know about you, but I'll like a video, bookmark it, and only watch 11 seconds. Yeah. And think I'm coming back. Never come back. I haven't come back once. My bookmarks folder has probably the wealth of information, the likes of which this world has never seen. Build a hundred-million-dollar brand off of it. Yeah. Yeah. And for the 30th guy that's going to pitch me to scan my bookmarks and build an AI app off of it, you ain't doing it, bro. You ain't doing it. So that's going to be a place where everything is going to continue to be those open loops.

12:40

And I'm sure you do this as well, but I'm so conscious of the but-therefore framework during this time. All the time, dude. You can't just say, "And then, and then, and then, and then, and then" in your script. It's like, you have to have buts and then secondary things. Therefore, going back to the apparel thing, right? Solution: we went to a new factory, but they told me they wouldn't have it until December. My collection was dropping in April. Yeah. There's a new open loop.

13:16

And so you have to not look at the entire video as an open loop, but how do you stack these mini open loops throughout the entire script, and particularly in that 15- to 45-second mark where people are going to want to bounce? The open loops help you build out your script into almost like a roller coaster. Yes. Like this time where it feels like, great framework for it, like it feels like a peak, and then you come back down all the way to then go back up, until you have the biggest drop-off, which is the end of the video. Yeah. Yeah. And it should be variable, right?

13:48

It should have various run-on sentences, and you should be able to package a big thought and then a transition, small thought, right? So the next element of a really successful video that's going to get a lot of attention is just going to be that text overlay. We talk about this all the time, whether you have to have a headline on your videos. And yeah, maybe if you're doing skits or high-production stuff, you don't necessarily have to. But even then, I still think, let's call it you're a super aesthetic brand in the home goods space, right? You still should want a font that reflects the setting and the story that you're about to say, I think. Think of a movie, right?

14:15

The title screen is kind of what we're talking about here. You want to have something that people are going to make an initial assumption about, especially if you have the sound off. I even think, look at a movie though. A lot of times, well, two parts. Netflix now, we talked, I thought, Ben Affleck just talked about it, where in the Netflix movie they're trying to make you get hooked in the first five seconds. So they create an open loop where there's something exciting, crazy, where you're like, "What the hell just happened?" And then they hit you with the title hook of, now the movie. Yeah, you know what I'm saying? Yeah, 100.

14:50

And I mean, Netflix, he actually had a lot of really great points in that interview about how this has changed storytelling because everyone's second-screening all the time. Everyone's pretty much watching something and then watching their phone or looking at their phone as well. And even 30 minutes into the movie, they're checking their phone. Yeah. And so Netflix now knows that and is introducing conflict and loud explosions and different transitions in the story to account for the fact that people are probably losing attention at certain points. Yeah. Which is gross, but that's just the level of competition that's going on. I mean, this is focus

15:30

Talked about it where, in the Netflix movie, they're trying to make you get hooked in the first five seconds, so they create an open loop where there's something exciting, crazy, where you're like, what the hell just happened? And then they hit you with the title hook of, now the movie. Yeah, what I'm saying? Yeah, 100. And Netflix actually had a lot of really great points in that interview about how this has changed storytelling because everyone's second screening all the time. Everyone's pretty much watching something and then watching their phone or looking at their phone as well, and even 30 minutes into the movie, they're checking their phone. Yeah, and so Netflix now knows that and is introducing conflict and loud explosions and different transitions in the story to account for the fact that people are probably losing attention at certain points. Yeah, which is gross, but that's just the level of competition that's going on. This is focus groups, this is millions of eyeballs and billions of dollars. Attention is, we kind of live in the attention economy. So text overlays that are going to naturally get more attention and eyeballs is contradiction text. If you say, I stopped going to the gym and got in the best shape of my life, the word stopped and best shape ever could probably be capitalized in that, right? This is an interesting concept overall. I stopped going to the gym, and then I got in the best shape of my life. It immediately creates curiosity, but also it's contradiction. Again, you're starting it off with something that doesn't make sense to me, so it's a natural pattern interrupter. Outcome text is always really important. When I was talking about earlier these videos that I'm making and saying, this person achieved this outcome in this short amount of time, it's if I just said, I look at it in two ways. I don't know how you do it, but if I don't have an incredible stat, a very specific number in a time frame, then I will sub in what I like to think is a keyword, right? So it's like you could either do like drolet de monsoir world building playbook, and it's like world building itself is kind of the scroll stopper there because people are like, well, what's a world building playbook, right? And they're not very aware of it. Or the flip side of that would be if I had some sort of outrageous number that they achieved in a small time frame, I would maybe lean into how drolet de monsoir sold out of their collection in 13 minutes, how they sold four hundred thousand dollars of trousers in 13 minutes, something like that. But outcome text is really important because, again, we're kind of going back to that original thought of promise versus payoff. The text is what they're going to read first. The brain is going to classify the text as what the video is about to be about, and so you almost either need contradiction text, outcome text, or the last one is incomplete text. So the one thing that dot, that dot dot, yeah, like it's unfinished. The brain literally, it's like you're mid—there's information that the brain wants but is missing, and I think that style is really common on yap videos. Yeah, shout out Lucas Pactor. He does this very, very well. He always has that incomplete thought or extremely basic thought articulated in a quick headline text where he's about to go into his, yeah, and that naturally makes people trickle down through the rest of the video and pay attention the whole time because they want to see what else he's got to say.

15:33

So a couple other ways to talk about things and to maintain retention, because I think the way that you phrase things should come from, obviously, you should write things down as a first draft, but for you to write them down in the first draft correctly, you need to understand a few of these. So think about it like this. Contrast, again, this is always going to be really powerful because the brain evaluates things in relation to alternatives. So if most people do X, but here's what actually works, is what you're trying to say. You're not just presenting information, you're presenting yours as a superior alternative. You really want to crash people's worldview with a lot of your content. The second, and I think this one is actually really powerful and a lot of people use it, is if you're the kind of person who, as a hook, yeah, like if you're the kind of person who always starts things but never finishes, voila, sell me a focus supplement, right? Like sell me Alpha Brain, sell me some Magic Mind. Like if you're the kind of person who—and we actually saw this with one of our clients in the mushroom gummy space—we were like, if you're someone who starts your chores and never finishes, you're just like me. I'm an ADHD person by nature, whatever, and then I found these focus gummies, and it ended up working out. There's two more that you need to know about, and the next one actually plays a lot into identity dynamics, so the availability heuristic. This one is, you know that feeling when you post something you think is great and it gets your engagement? Here's why that keeps happening. That is going to recall an experience and immediately make the topic super relevant. You always want to trigger recall when you're creating these sort of open loops, these attention-grabbing hooks, whatever, because people will feel something that they inevitably want to solve, right? You have to conjure that different emotion in them.

15:38

Last one, and I actually think this is one of the best growth hacks in this entire segment, is social proof through implication. When you say something like, what I've been seeing work lately, it immediately implies that you yourself are testing. So think about this as any sort of attempt to be an expert or a thought leader on a subject. If you're coming from a place of I'm in 20 different ad accounts, this is what I'm working on, this is what I'm seeing work, it's almost better to just say, this is what I've been testing lately, this is what I've been seeing, because people have this split second where they don't really know if they're going to trust you or not, and if you're saying I'm actively working on this right now, through implication, not by saying explicitly that you're testing something, but just saying this is what I've been seeing work lately, it's going to skip a lot of those credibility steps that you naturally need to establish and ultimately get them to trust whatever the rest of your video is going to say.

15:45

Here's the bottom line. Attention is not given, it's earned, and every single moment you have in a video is an opportunity for someone to scroll away from you. It's the hardest truth. That's why you need to ensure that your hook is delivering a promise and teasing a payoff that then gets followed by several different open loops to retain people's attention through the video. The only thing these algorithms care about is hook rate and watch time. Yes, they want people to share it, but those are kind of natural byproducts of good content. So the creators who win long term are the ones that are going to use these principles to print attention, get eyeballs on their brand, and start running up that revenue. If you enjoyed this episode, please like, subscribe. It means a lot to us. It helps us continue to do this for free for you. A lot of this stuff is things that Alex and I learn in the day-to-day efforts of working with nine-figure brands on how to use content to grow, so we're trying to give it away for free as much as possible. Just do us a solid, leave a like, leave a comment if you enjoyed the episode. We'll see you next week. All right, thanks.

15:47

Specificity signals credibility. And when someone is vague, the brain immediately suspects that they don't have a lot more to share. Yeah. You can kind of see. The more specific you are, the more you put yourself on a pedestal. Right. To position you as like, hey, I know what I'm talking about. And I know this because the specificity, I can, why did I just say that so off? It's a tough word. It's a weird word. It's a tongue twister. It makes you say, hey, I have experience in this exact world. Yeah. Yeah. A hundred percent.

16:13

And then, so now that we've kind of like established some of these psychological things, let's get tactical because I think you would probably agree with this. Like script writing is something that a lot of people do very wrong. Yeah. Like they, they just kind of like jumble a script. Maybe write a paragraph or something like that. I actually write it line by line by line. Same. I do too. And then I make sure that like the stanza, bet you didn't think I was a poet. That's a, that's a different word for you. Yeah. Nice. I bet you didn't think I had poet game. Did not. Poet motion. The stanza should like kind of have a rhythm to it.

16:46

So it should be short, long, short, long transition words, et cetera. And I think when you're looking at your script and you're looking at the video and this applies, whether you're UGC creator or founder led content, whatever it is, this is just all short form content. So what you're looking at is you want to segment things out by sex seconds, one through three. That's your hook. Seconds four through seven. Are you going to establish the gap in the stake? Right? So that's why should they care? What will they miss if they leave? That's four through seven. Then in seconds, eight through 15, you want to eliminate those exit reasons.

17:17

So everyone is going, is in low engagement scanning mode. Oh, interesting video. Like there's swiping and then it's like interesting video. And so the most common ones are going to be like, I probably already know this. This seems low quality. I don't trust this person. This will probably be boring. And so during that eight to 15 second mark of your video, you want to eliminate exit reasons by signaling novelty, quality, credibility, and engagement. After that is the valley of death, right? This is where all videos go to die. Average watch time that gets above 15 seconds is a banger, right? And that's going to be true of almost any sort of piece of content.

17:54

So, you know, the drop off between 15 and 45 seconds. I mean, I don't know about you, but I'll like a video, bookmark it, and only watch 11 seconds. Yeah. And think I'm coming back, never come back. I haven't come back once. My bookmarks folder has probably the wealth of information, the likes of which this world has never seen. Build a hundred million dollar brand off of it. Yeah. Yeah. And for the 30th guy that's going to pitch me to scan my bookmarks and build an AI app off of it, you ain't doing it, bro. You ain't doing it. So, you know, that's going to be a place where, like, everything is going to continue to be those open loops.

18:32

And I'm sure you do this as well, but like, I'm so conscious of the, but therefore framework during this time. All the time, dude. You can't just say, you can't just say, and then, and then, and then, and then, and then in your script, it's like, you have to have butts and then secondary things. Therefore, like, you know, and I mean, like, you know, like, going back to the apparel thing, right?

19:09

Like, like, I mean, like I mean, like I mean, like I mean, like I mean, like I mean, like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I mean like I

19:37

solution we went to a new factory but they told me they wouldn't have it until December my collection was dropping in April yeah there's a new open loop like and so you have to not look at the entire video as an open loop but how do you stack these mini open loops throughout the entire script and particularly in that 15 to 45 second mark where people are going to want to bounce the the open loops help you build out like your script into almost like a roller coaster yes like this time where like it feels like great framework for it like it feels like a peak and then you come back

20:05

down all the way to then go back up and like until you have the biggest drop off which is the end of the video yeah yeah and it should be variable right like it should have like various like run-on sentences and you should be able to like you know package like a big thought and then like a transition small thought right so the next element of a really successful video that's going to get a lot of attention is just going to be that text overlay we talk about this all the time whether you have to have a headline on your videos and yeah maybe if you're doing skits or high production stuff like

20:33

you don't necessarily have to but even then I still think like uh you know let's let's call it you're a super aesthetic brand in the home home goods space right like you still should want a font that reflects the setting and the story that you're about to say I think and like it think of a movie right the title screen is kind of what we're talking about here like you want to have something that people are going to make an initial assumption especially if you have the sound off you know I even think like look at a movie though a lot of times with well two parts Netflix now we talked um I thought who Ben Affleck just

21:10

talked about it where in the Netflix movie they're trying to make you get hooked in the first five seconds so they create an open loop where there's something exciting crazy where you're like what the hell just happened and then they hit you with the title hook of like now the movie yeah you know what I'm saying yeah 100 and I mean Netflix he actually had a lot of really great uh points in that interview about how this has changed storytelling because everyone's second second screening all the time you know like everyone's pretty much watching something and then watching their phone or looking

21:42

at their phone as well and even 30 minutes into the movie they're checking their phone yeah you know and so Netflix now knows that and is introducing conflict and loud explosions and different transitions in the story to account for the fact that people are probably losing attention at certain points yeah which is gross but that's just the level of competition that's going on I mean this is focus groups this is millions of eyeballs and billions of dollars I mean attention is we kind of live in the attention economy you know um so text overlays that are gonna you know naturally get more attention

22:15

and eyeballs is contradiction text if you say I stopped going to the gym and got in the best shape of my life the word stopped and best shape ever could probably be you know capitalized in that right like this is it's an interesting like concept overall like I stopped going to the gym and then I got in the best shape of my life like immediately creates curiosity but also it's contradiction you know again like you're starting it off with something that doesn't make sense to me so it's a natural pattern interrupter outcome text is always really important you know when I was talking about earlier these videos

22:48

that I'm making and saying like you know this person achieved this outcome in this short amount of time it's if I just said uh I look at it in two ways I don't know how you do it but like if I don't have an incredible stat right like a very specific number in a time frame then I will sub in what I like to think is like a keyword right so it's like you could either do like drolet de monsoir world building playbook and it's like world building itself is kind of the scroll stopper there because people are like well what's a world building playbook right and very they're not very aware of it or

23:24

the flip side of that would be if I had some sort of outrageous number that they achieved in a small time frame I would maybe lean into you know how drolet de monsoir sold out of their collection in you know 13 minutes how they sold four hundred thousand dollars of of you know trousers in 13 minutes something like that but outcome text is really important because again we're kind of going back to that original thought of promise versus payoff like the text is what they're going to read first the brain is going to classify the text is what the video is about to be about and so you almost either

23:58

need a contradiction text an outcome text or the last one is incomplete text so the one thing that dot that dot dot yeah like it's unfinished like the brain literally it's like you're mid there's information that the brain wants but is missing and I think that that style is really common on uh like yap videos yeah you know shout out lucas pactor he does this very very well like he he like always has that incomplete thought or extremely basic thought articulated in a quick headline text where he's about to go into his yeah and that naturally makes people trickle down through the rest of the video and pay attention

24:38

the whole time because they want to see what else he's got to say so a couple other ways to talk about things and to maintain retention because like I think the way that you phrase things should come from obviously like you should write things down as a first draft but for you to write them down in the first draft correctly you need to understand a few of these so think about it like this contrast again this is always going to be really powerful people because the brain evaluates things in relation to alternatives so if most people do x but here's what actually works is what you're trying to say you're not just

25:09

presenting information you're presenting yours as a superior alternative like you really want to crash people's world view with a lot of your content um the second and I think this one is actually really powerful and a lot of people use it is like if you're the kind of person who as a hook yeah like if you're the kind of person who always starts things but never finishes voila sell me a focus supplement right like sell me alpha brain sell me some magic mind like if you're the kind of person who and we actually saw this with one of our clients um in the mushroom gummy space we were like if you're someone

25:44

who starts your chores and never finishes you know you're just like me like I'm a you know I'm an ADHD person by nature like whatever and then I found these focus gummies and it ended up working out there's two more that you need to know about and the next one actually plays a lot into identity dynamics so uh the availability heuristic this one is you know you know that feeling when you post something you think is great and it gets your engagement here's why that keeps happening like that is going to recall an experience and immediately make the topic super relevant you always want to trigger recall

26:16

when you're creating these sort of open loops these you know attention grabbing hooks whatever because people will feel something that they inevitably want to solve right you have to conjure that different emotion in them last one and I actually think this is one of the best growth hacks in this entire segment is social proof through implication when you say something like what I've been seeing work lately it immediately implies that you yourself are testing so think about this as any sort of attempt to be an expert or a thought leader on a subject if you're coming from a place of I'm in 20 different ad accounts

26:47

this is what I'm working on this is what I'm seeing work it's almost better to just say this is what I've been testing lately like this is what I've been seeing because people have this split second where they don't really know if they're going to trust you or not and if you're saying I'm actively working on this right now through implication not by saying explicitly like you're testing something but just saying this is what I've been seeing work lately it's going to skip a lot of those credibility steps that you naturally need to establish and ultimately get them to trust whatever the rest of

27:15

your video is going to say here's the bottom line attention is not given it's earned and every single moment you have in a video is an opportunity for someone to scroll away from you it's the hardest truth that's why you need to ensure that your hook is delivering a promise and teasing a payoff that then gets followed by several different open loops to retain people's attention through the video the only thing these algorithms care about is hook rate and watch time yes they want people to share it but those are kind of natural byproducts of good content so the creators who win long term are the ones

27:43

that are going to use these principles to print attention get eyeballs on their brand and start running up that revenue if you enjoyed this episode please like subscribe it means a lot to us it helps us you know continue to do this for free for you a lot of this stuff is things that alex and i learn in the day-to-day efforts of working with nine figure brands on how to use content to grow so we're trying to give it away for free as much as possible just do us a solid leave a like leave a comment if you enjoyed the episode we'll see you next week all right thanks

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